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Maggy, a woods witch that used to live near Casterly Rock. A woods witch (often called just a " witch ") is a woman in Westeros who practices herb-lore and healing. They also sell various charms, and some act as fortune tellers. Whether or not woods witches actually possess real " magic " powers is debatable. Known woods witches Maggy - a woods witch who lived in the forests outside of Casterly Rock when Cersei Lannister was a teenager. Cersei visited Maggy and demanded that she read her fortune. Maggy lets Cersei ask three questions, and she foretold that Cersei would marry the king instead of the prince, and she would be queen some day, but only until cast down by another, younger queen. Maggy also warned that Cersei would have three children, but all three would predecease her. In the books In the A Song of Ice and Fire novels, woods witches are most often not actually capable of practicing "magic", but have some decent knowledge of herb-lore and midwifery. This knowledge is apparently passed from woman to woman and through folklore.

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The documentary will also be on Showmax at 21:00 on the same day. Watch: The Last Watch preview HBO announces its first Game of Thrones prequel: HBO has ordered a pilot episode for the prequel, which will be set thousands of years before the battles over the Iron Throne. The as yet untitled prequel was created by British screenwriter Jane Goldman with author George R. R. Martin. However, it is not clear when the show will be ready for broadcast. HBO said in a statement that if picked up, the prequel will chronicle "the world's descent from the Golden Age of Heroes into its darkest hour. " "From the horrifying secrets of Westeros' history to the true origin of the White Walkers, the mysteries of the East, to the Starks of legend… it's not the story we think we know. "

Finlay also spent considerable time presenting the weeks of night shoots -- prompting one crew member to mutter that he felt like a vampire -- amid inclement weather that pushed the production, and those working on it, to their limits. The stars did get their moments, from Kit Harington's tearful farewell on his final day of shooting to Emilia Clarke quietly musing in her makeup chair about what life will be like after the show, which both propelled her into the public consciousness and left a lot of people debating the wisdom of having named a daughter "Daenerys. " "It's exciting to think, 'Who am I without this? '" Clarke said. Perhaps foremost, "The Last Watch" served as a testament to the massive logistical hurdles that the final season of "Thrones" posed, delivering six episodes with the heft of feature films. Executive producer Bernie Caulfield seemed to sum up the mixed feelings that evoked, which oscillated between nostalgia and somewhat guilty relief as the finish line neared.

This is a place to enjoy and discuss the HBO series, book series ASOIAF, and GRRM works in general. It is a safe place regardless of where you are in the story. We have three main rules. Content must be relevant. Spoilers must have warning. Be legal and respectful to others. Post spoiler tags are: [No Spoilers], [Spoilers], or [Leaks] Posts outside the content scope are removed. Redditors unable to follow the [sub's rules]() are banned.

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Their permissiveness has already made room for anti-Semitic hate speech, members of the alt-right, and a sexist attack on New York Times journalist Taylor Lorenz. Between these dust-ups and the appearance of disgraced music exec Russell Simmons in an October chat, one wonders whether the trade-off between scruples and omnipresence is sheen of Clubhouse fully flattened when Kevin Hart joined a chatroom called "Is Kevin Hart funny?? " on Friday night. He was, of course, allowed to speak on the stage and moderators encouraged questions directed at Hart himself. That created the kind of one-way communication that characterizes social media now: the more prominent users preside over a throng of followers who tend to reinforce what they're saying and deepen the echo chamber; opposing voices get drowned out. Hart deflected from pointed questions about his humor and its tendency to exclude or deride women. The women who raised that issue were shouted down. We returned to square Chet Hanks' "All Love" chat, the sometime rapper weathered brief resistance to his verbal performance before a flood of users (all invited to the stage) chimed in to say that he had good intentions.

(CNN) "Game of Thrones: The Last Watch" could easily be dismissed as HBO's way of maximizing its ample investment in the series, a glorified electronic press kit to extend the program's run by one more week. Yet after many viewers spent the final season bashing the show, the two-hour documentary served a dual purpose, offering a reminder of all the grueling work that went into making it. Director Jeanie Finlay spent a year chronicling the production, spanning locations from Belfast to Croatia to Spain. While the stars and producers David Benioff and D. B. Weiss received a bit of screen time, the project went the extra mile to showcase those who don't walk red carpets, from background actors -- shown noshing on snacks during breaks, under hideous makeup -- to construction, the cheerful folks who fed this small army and even those responsible for all that fake snow. Among the unlikely stars of the documentary were Andrew McClay, an extroverted background actor who choked up when his watch finally ended; and Vladimir Furdik, the stunt coordinator who garnered an unexpected taste of stardom as the villainous Night King, who muttered "Back to normal" when his stretch under that guise finished.

[SPOILERS] Game of Thrones: The Last Watch - Post-Show Discussion : gameofthrones

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Hanks meant no harm, they opined, and everyone was taking his foray into Black culture and Jamaican language "way too serious. " What those coddling takes miss, however, is the history and context of unpaid service and absent attribution. When Western white culture discovers any survival tool or act of creativity from the people it oppresses, it quickly finds ways to steal and multiply the effect. That happens on an individual level, like Elvis Presley or Vanilla Ice thieving songs and language for fame, and it happens at a systemic level, like corporations using Black English to feed their brand impression goals on Twitter. Although Hanks and others would like to believe that identity is fungible and there for the taking, the long history of erasure is finally coming to bear in the present. Clubhouse can't exist in a vacuum, and the more it grows, the more its inventors will have to face the same prickly debates of comments Hanks exited the room last night, several others formed to debrief.

Wednesday, 17-Feb-21 07:21:22 UTC