First Reformed Schrader
- ‘First Reformed’: Paul Schrader On His “Dark Night Of The Soul” Movie
- Film Review: Ethan Hawke Is Brilliant in Paul Schrader's Visceral, Probing First Reformed | Consequence of Sound
- 'First Reformed' filmmaker Paul Schrader on hope, despair and 'this odd moment we're in now' - Chicago Tribune
- Paul schrader first reformed film
His health is in jeopardy. He increasingly finds his only solace in a diary, and in the bottle. His concerns about Michael become intertwined with his thoughts about a nearby megachurch, pointedly named Abundant Life, whose pastor (Cedric Kyles, better known as the comic Cedric the Entertainer) preaches a meretricious brand of gospel built more around entertainment and materialism than grave contemplation of one's sins. That Schrader himself grew up in a strict Calvinist household before embarking on a career in films saturated with sex and violence ( American Gigolo, Auto Focus, etc. ) lends the film a poignant confessional tone. Toller draws a link between Abundant Life and what he comes to see as the depravities of the energy industry through Balq (Michael Gaston), the chief of an eponymous fossil-fuel firm that is one of the lead sponsors of both Abundant Life and the upcoming reconsecration of First Reformed. Balq's firm, Toller discovers to his rage, is one of the leading polluters in the U. S. Wavering confidence in Christianity, with its inherent modesty and deference to the unknowable, can pave the way for something more arrogant and darker.
‘First Reformed’: Paul Schrader On His “Dark Night Of The Soul” Movie
This suicide is a trigger point for Ernst as it brings back painful and regretful memories of his own son. He soon spirals out of control. Trailer First Reformed Official Trailer HD A24 Gallery Posters
Film Review: Ethan Hawke Is Brilliant in Paul Schrader's Visceral, Probing First Reformed | Consequence of Sound
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The priest at the centre of First Reformed is the Reverend Ernst Toller (evidently an allusion to the German dramatist who took his own life in exile in 1939), played with unflinching conviction by Ethan Hawke. He is serious, disciplined, shown at first writing by hand in a laceratingly self-critical journal. Toller seems never to be out of ecclesiastical dress and is always sporting a stern side-parting; the sort of haircut he probably had for his first communion. He is a Protestant, like Schrader, and there is some robust joking around on the subject of Martin Luther's A Mighty Fortress Is Our God, although the preoccupation with guilt, and indeed Toller's own ascetic image, surely also have something Catholic in them. Toller is a well-liked priest who comes from a family with strong military and patriotic traditions. He encouraged his son to enlist in the army in the face of objections from his wife, who has now left him. Within six months the boy had been killed in Iraq, in a war Toller now sees as utterly futile and fraudulent.
'First Reformed' filmmaker Paul Schrader on hope, despair and 'this odd moment we're in now' - Chicago Tribune
Paul schrader first reformed film
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- 'First Reformed' filmmaker Paul Schrader on hope, despair and 'this odd moment we're in now' - Chicago Tribune
Ultimately he went with … well, you'll see. "First Reformed" already has provoked its share of post-screening debates regarding Schrader's chosen resolution. It wasn't so different 42 years ago when Travis Bickle, the character Schrader created, went down in an extraordinary blast of carnage, only to be reborn in the "Taxi Driver" coda as a vigilante hero. Half the country remains determined to read that ending as vindication of a sociopathic but sympathetic good guy with a gun. The other half, perhaps more in line with Schrader's unsettled feelings about the character, read it as an blackly comic indictment of a city and a nation. "There are also people who view the 'Taxi Driver' ending as a post-life fantasy, and I don't have a problem with that, " Schrader says. "As Jean-Luc Godard said: No great movie is successful for the right reasons. " Schrader says he hopes his film, admired by both Christianity Today and a full range of godless and God-fearing critics, addresses "this odd moment we live in now, " when climate change science is used by the current presidential administration as a punch line, and cynicism battles idealism at every turn.
Toller has a tidy, limited life but his horizons are about to be expanded by a parishioner (Amanda Seyfried) who desperately needs his help. She is pregnant, but her husband wishes her to have an abortion. Her name is Mary. Mary's husband, Michael (Philip Ettinger), is an environmental extremist who is in the thrall of a fantasy he is convinced is revealed truth, scientifically certified prophecy: that the planet will soon be a hellish wasteland upon which the living will envy the dead. He considers it morally unconscionable to bring a new life unto earth and have the child be subjected to ghastly suffering as global warming takes its inevitable gruesome toll. So convinced is Michael that man has already set in motion the events that will destroy our home that he considers it a duty to punish the wicked. We have proven ourselves unworthy of God's creation and must pay the price, he believes. Toller has his own sorrows to attend to. Once an Army chaplain, he lost his son in Iraq and in the grieving became estranged from his wife, Esther (Victoria Hill), with whom he works at a soup kitchen.