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Jane The Virgin Season 3 Episode 11 Streaming

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Jane the Virgin Chapter Fifty-Five Season 3 Episode 11 Editor's Rating 5 stars Gina Rodriguez as Jane. Photo: Robert Voets/The CW Every great TV show excels at some particular thing — a type of story it tells especially well, a kind of plotline it constructs with unusual excellence. The Americans is great at stories about the Jenner's marriage. (Okay, that show is so good at everything, but still. ) Fargo? Stories about the inexplicable. Friday Night Lights did some of its best storytelling about fatherhood and masculinity; Girls is especially good when its characters feel alien in their surroundings; iZombie does a fantastic season finale. Jane the Virgin is bafflingly good at stories about trauma and recovery. It uses this skill in two ways. First, the show incorporates its many bananas telenovela plots without losing the underlying emotional thread of its narrative. See, for instance, the initial premise about Jane experiencing a truly incredible pregnancy, then being forced to cope with it and the earthquake it sends through her life.

Jane the Virgin – Season 3: Episode 11 |

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Meanwhile, Jane and Rafael (Justin Baldoni) try to figure out the best solution to Mateo's behavioral issues and they both seem to have different approaches. Cast & Crew Director: Melanie Mayron, Gina Lamar, Brad Silberling Writer: Jennie Snyder Urman, Perla Farías, Carolina Rivera

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The time jump is an especially important (and scary) move: It catapults the show forward, enabling Jane the Virgin to introduce new stories, but it also runs the risk of moving past Michael's death more quickly than its audience is ready to accept. "Chapter Fifty-Five" does an outstanding job fulfilling both needs. First, for the stories that don't belong to Jane, it is undeniably refreshing to reset everything and start from a clean slate. Rafael spent some time in prison and no longer has to be stuck in that narratively muddy "do you like me, do you feel sorry for me, am I still bad? " place. Three years in the future, he's more confident, he's got a beard no one likes but Mateo (… also me), and he comes off as a more centered, secure co-parent to both Jane and Petra. I imagine it must be quite freeing to finally feel like he has a family that isn't shadowed by his father's criminal legacy. From a character standpoint, less has changed for future Rogelio. He's still yearning for American breakthrough stardom for an adaptation of The Passions of Santos — gotta say, Rogelio, The Passions of Steve is not a great title, buddy.

But the Jane portions are really where "Chapter Fifty-Five" shines. They give us the everyday challenges of Jane's life now, but they're also clear and unflinching in depicting her grief. Parenting Mateo is hard. It's obviously the dominant element of Jane's life, and we get to see the challenges of that, the clear evidence that Jane and Mateo are deeply bonded to one another, along with Jane's all-too-understandable fear that she let her grief damage him. The other best part of the episode is seeing how Jane's family and friends have pulled through to support her since Michael's death. It's tear-inducing, but not surprising, to see Xiomara and Alba smile over how strong Jane is. It's quite nice to watch Rafael help Jane stand up and get through the public reading of her romance novel about Michael. And the best of the best is clearly Petra, who retains a completely believable aloofness now that she's more secure as a mother, but who has obviously grown much closer to Jane since Michael's death and Rafael's imprisonment.

Sunday, 14-Mar-21 03:09:19 UTC